Imitation of Life (1959)
Wednesday, June 12th
8:00PM (ET)
On a busy Coney Island beach two mothers meet and become friends when their daughters become playmates at the beach. Lora Meredith (Lana Turner) is a young widow with dreams of becoming an actress. She struggles to make ends meet balancing auditions and meetings with agents, and caring for her daughter Susie (Terry Burnham, age 6; Sandra Dee, age 17). Annie Johnson’s (Juanita Moore) husband abandoned her and their daughter Sarah Jane (Karin Dicker, age 8; Susan Kohner, age 19). She has been unable to find a job, and the two are now homeless. As an African-American, Annie struggles to raise her fair-skinned daughter who longs to fit in the white world. Lora offers for Annie and her daughter to stay temporarily at her small apartment. Days turn into years as the woman become friends and each others support.
In the 1950’s Universal International producer, Ross Hunter, and director Douglas Sirk were creating women’s melodramas. Some of these films included, Magnificent Obsession (1954), All that Heaven Allows (1955), There’s Always Tomorrow (1956), Written on the Wind (1956). All of which are over-the-top soap operas featuring actresses such as Barbara Stanwyck and Jane Wyman. When approached to star in Imitation of Life, Lana Turner’s career was struggling having been damaged by her own personal dramas. In April 1958, her teenage daughter stabbed and killed Lana’s then lover, mobster Johnny Stompanato. Lana was deeply in debt and needed to revive her career. Hunter offered her a lavish production to star in, a remake of the successful 1934 film of the same name that had starred Claudette Colbert, and the chance to make a lot of money. Lana chose to not take her usually salary in favor of a percentage of the net profits from the final distribution. This chance paid off, and Lana made over two million dollars from the film. Hunter lived up to his end of the bargain, from the opening credits with diamonds falling from the top of the screen, it is understood that this film is going to be lavish, expensive, and gorgeous. Everything is big and overdone in the film, including the acting.
Though the film explores issues with race, the real heart of the film is both of the mothers’ relationships with their daughters and each other. From the beginning Lora is obsessed with becoming an actress. When success does come, she neglects her daughter choosing to give her a comfortable life over giving her time and attention. As a teenager Susie begins to resent her mother’s decisions, often turning to Annie to confide in and seek advice. In contrast, Annie loves Sarah Jane refusing to leave her despite the numerous rejections by Sarah Jane. Sarah Jane believes that being white is easier and will offer her more privileges than being African-American. However, Sarah Jane’s are continuously unveiled, often leading to disastrous consequences.
Both Susan Kohner and Juanita Moore were nominated for their performances in the film. Susan Kohner though fairly new to film came from a Hollywood upbringing. Her mother was Lupita Tovar a Mexican film actress who primarily acted in Hollywood films. She is best known for her performance in the Spanish language version of Dracula (1931). Tovar also starred in Santa (Saint, 1931), which was the first talking picture produced in Mexico.
Just as important to the film, is the friendship between the two women. Annie is the rock in which Lora and everyone else in the film leans upon, and is involved in every aspect of Lora’s life. However, though Lora acknowledges Annie as her friend, selfishly she knows nothing about Annie’s life and troubles outside of the house.
Much in the style of other films of that time that explored the acting business; this film explores the ugly side of fame. After years of struggling, Lana’s character Lora finally gets a small role in a Broadway play. She becomes personally involved with a playwright and has growing success with his plays. However, life is not as perfect as she thought it would be, and Lora continues to seek happiness in career success. Through her lust for success Lora loses a relationship with her daughter and the chance at real love with photographer turned ad executive, Steve Archer (John Gavin). In 1952, Lana starred in another such film, The Bad and the Beautiful which also explored the dark side of the business.
Also in the film is Troy Donahue. Later that same year, Donahue would have his first starring role in the film A Summer Place (1959). Donahue along with Sandra Dee played young lovers whose lives are complicated by the actions of their parents. Donahue like Dee would be known for teen melodramas. However, his small role in Imitation of Life shows a different side to Donahue’s acting. He plays Sarah Jane’s boyfriend Frankie who beats her upon finding out she had been lying to him about her race.
TCM will be showing Imitation of Life (1959) on Wednesday along with other Lana Turner films from the 1950’s. This was a complicated time in the career of Turner. However, this film brought her some of her biggest success reviving her career. Click on the link below to read more about this stunning actress.
Imitation of Life (1959) 8:00PM (ET)
The Rains of Ranchipur (1955) 10:15PM (ET)
The Sea Chase (1955) 12:15AM (ET)
The Bad and the Beautiful (1952) 2:30AM (ET)
Latin Lovers (1953) 4:45AM (ET)
Images from: Imitation of Life. Dir. Douglas Sirk. Universal International 1959. DVD.
Tagged: A Summer Place, All that Heaven Allows, Barbara Stanwyck, Douglas Sirk, Dracula, Imitation of Life, Jane Wyman, Johnny Stompanato, Juanita Moore, Karin Dicker, Lana Turner, Latin Lovers, Lupita Tovar, Magnificent Obsession, Ross Hunter, Sandra Dee, Santa, Susan Kohner, TCM, TCM Lana Turner in the 50's, Terry Burham, The Bad and the Beautiful, The Rains of Ranchipur, The Sea Chase, There's Always Tomorrow, Troy Donahue, Turner Classic Movies, Universal International, Universal Pictures, Universal Studios, Written on the Wind
This is a terrific movie…a real sobber!! That funeral scene has me sobbing so hard I can barely breathe. (I love movies that touch me like that!)
Have you ever seen the 1934 version, with Claudette Colbert and Louise Beavers? Much as I adore Lana, I actually prefer the earlier version…it is one of my 10 favorite films of the entire 1930’s, and among my 20 favorite movies of all-time. If you’ve never seen that one, I highly recommend it.
This one, though, is still terrific, and Lana’s acting is fantastic!